The assignment was to “draw what you want to be in the future.” So, in Upper School visual arts teacher Joanna Kao’s studio, while many of her classmates drew pictures of themselves as lawyers, doctors, and B-school prodigies, Tiffany R. Warren ’92 drew what basically looked like a recruitment advertisement for the Boston Ballet. “I drew a Black ballerina, voluptuous and beautiful, on her tippy toes with the words Join Today! Boston Ballet,” says Tiffany. “Unbeknownst to me, I had just drawn my first diversity recruitment ad.”
For more than 24 years, Tiffany worked as a talent strategist and one of the first chief diversity officers in advertising, the last 11 years at Omnicom Group, where she oversaw a team of diversity officers and directors that focused on the support, advancement, and retention of top performing talent inclusive of women, people of color, and LGBTQIA+ professionals.
In 2020, through a chance reachout through LinkedIn, Tiffany was appointed executive vice president, chief diversity and inclusion officer at Sony Music Group, a newly created position established to expand equity and inclusion activities and policies across Sony Music Group’s global recorded music, publishing, and corporate divisions. “Here I was, 46, putting aside 24 years in one industry and culture to learn a new job, a new career culture. But how could I say no?” she says. “If a person of the future had come to 12-year-old Tyff and said ‘When you are in your 40s you are going to help nurture the culture of inclusion at Sony Music—the home of Michael Jackson, Lauryn Hill, Whitney Houston’...some of the biggest artists in history—I probably would have passed out!”
But let’s backtrack for a moment. Tiffany doesn’t hesitate to say that she cut her teeth in diversity, equity, and inclusion (DEI) at Winsor and then at Bentley University. “When I arrived in corporate America, I had some chops as a woman of color and as a leader, which was due in large part to Winsor and Bentley.”
As one of five African American girls in her Winsor graduating class of 60, she remembers always being acutely aware of the idea of belonging. With School Nurse Jacqueline Arrington as their mentor, Tiffany and her classmates Tanisha Jorsling ’92, Alethea Davis Taylor ’92, Jeana Brown ’92 and Kamala Harrington ’92 founded ALAI (African American, Latina, Asian, Indian), a supportive group of girls from different types of marginalized communities. “Mrs. Arrington was the glue. She helped us create a safe space where we could exhale and be our full selves,” says Tiffany.
“Being a part of this group was intoxicating for me as a young girl wanting to belong, and I remember getting this curious feeling about how to expand that sense of safety not only for myself but for other minorities.” She credits her time in ALAI and her experience drawing the ballerina portrait in Ms. Kao’s class as pivotal moments for her. She notes, “I know they were significant catalysts for where I am today.” In college at Bentley, Tiffany poured herself into as many leadership positions as she could, in large part to help her face her social anxiety. She served in every role for the university’s Black United Body, finally becoming president, and she founded and edited VOICES, a publication to give voice to and celebrate the community of color at Bentley. “I am definitely a learned extrovert,” she laughs.
In the early 2000s, riding home from work on the subway, the words “rise up, reach back” popped into her brain. She says that because of her background in branding, phrases and slogans often come to her out of the blue. Those two imperatives birthed ADCOLOR, a not-for-profit she founded in 2005 with the dual mission to build community and support equity. According to the ADCOLOR website, the organization exists to “help individuals and organizations RISE UP, letting their accomplishments and ideas shine,” then to “teach these new leaders and would-be mentors how to REACH BACK and find others who deserve to be noticed and promoted.”
Tiffany loves acronyms. At Omnicom, she created OPEN (Omnicom People Engagement Network), and when she started at Sony Music Group, she launched MILES (Mobility, Impact, Leadership, Equity, Safety). “Launching MILES has been one of my top five proudest accomplishments. Throughout the company it has become a rallying cry of sorts, which is thrilling to see. Colleagues tell me that, in some cases, they are applying MILES to their own lives outside of work,” she says. “When you think of DEI work company-wide in education, training, development, data analysis, and external partnerships, the needs that MILES stands for are more crucial than ever for a strong culture of equity and inclusion, especially when you think of people of color, women, and those in the LGBTQIA+ populations. People can sometimes have misunderstandings around exactly what diversity, equity, and inclusion mean, so I try to break down the meanings to meet people where they are and then take that journey with them. In this way, we are traveling and growing together. MILES has been the perfect map for that!”
Tiffany, who feels honored to sit on many boards, including serving as the first African American woman and 2020–22 chair of the National Board of Directors for the American Advertising Foundation, reiterates how her time at Winsor helped her develop a deep understanding of the transformative power of female leadership. “I was lucky to have my own Mt. Rushmore at Winsor. It featured the five faces of Mrs. Arrington, Head of School Carolyn Peter, my basketball and softball coaches Laura Gregory and Debbi Hill, and Spanish teacher Stephanie Bennett-Voght, who taught an unforgettable course during one January term on the power of positive thinking, where I learned that I—no one else—gets to determine how I think and who I am.” No doubt Tiffany will be one of the important faces on the personal Mt. Rushmore of countless people—now and for a long time to come.